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Recently I saw a process video of putting together a panoramic 3D Chemical laboratory. It was the backdrop of a children’s game about the table of elements called Tablecraft. The cool thing about this video is that it starts with a rough 360 concept sketch and fades into a fully modelled 3D environment. It is a fine example of a potential dev pipeline for VR world building.

The game designer said his artist worked magic in Blender and make the 360 panoramic sketch quickly. It screamed the new Grease Pencil tool in Blender 2.8 to me. I then found a recent tutorial by Jama Jurabaev on how to create a 360 panorama view using the Grease Pencil tool in Blender 2.8.

A preview of the tutorial:

Shanghai Art and Design Academy (SADA) has visited us for the 2nd time! Besides formal meetings on possible collaborations between the two schools, I designed a condensed workshop on conservation UX/UI design for their students. With the support of my dear teaching assistants, Chiehping and Qihui, we are able to eliminate coding completely and focus on storyboarding, designing, testing, and iterating in the workshop. They visited my thesis class and had some “meaningful” exchanges there, and they also participated NYC Media Lab’s Explore Future Reality conference and had a blast there too. We also invited Wei Wei, our dear friend from Bell Labs, to round up their action-packed 4 days with a sincere but Michael Bay style talk (lots of mind explosions). The ending was emotional and mixed with slow internet, hot pizzas, soda pops, and some passive-aggressive chatbots… That’s it! Thanks for visiting us, I will see you all on wechat!

Got a Battle-Ready Pikachu a while ago, opened it up many times and was fascinated by the internal design. There might be budget reason involved because the trigger that sends the foam disc into the shooting mechanism was not motorized. The player has to pull Pikachu’s left ear which connects to a leveler that pushes the foam disc out. The desire to mod it had grown stronger in my head, finally found time for it. First thing first, replace the ear trigger with a servo. I 3D printed a servo mount and connected the servo handle to the leveler. It worked out nicely.

Next, use a motor shield to take over the motor for shooting mechanism as well.

I adopted this tutorial on Adafruit.com and switched the tech base to feather LE Bluetooth. I was looking for a LE platform that is easy to work with. By that I meant less low-level coding for the sake of rapid prototyping. Everything worked out in 1 try, can’t ask more than this.

I am now playing with Adafruit’s controller app and trying to make an app myself so I can incorporating voice control in the future. Who doesn’t want to make “Pikachu, I choose you!” and “Pikachu, attack!” a reality! I might also switch the tech base to Raspberry Pi, since I already have a working voice controlled platform built up on it.

Last week I was invited to judge an influential maker competitions in Tokyo. Recently, I have been pushing meaningful content creation in VR/AR/MR at Parsons and trying to emphasis coding as a way of digital fabrication, and advocate for code support across the school. This trip has further confirmed these ideas on an international level. Thanks so much for having me!!

I arrived two days earlier and participated Fabcafe Tokyo’s 2016 Bonenkai as one of the speakers. Each of us get to pick 4 words that inform the future of making. It was a fun, inspiring, and highly informative night with a community of great makers based in Tokyo – Hiroya Tanaka from Keio University, Pieter Franken who founded Safecast, Tim Wong from Fabcafe Taipei, and many more.

The four words that I came up with were “IoT”, “Holodeck”, “Zero GUI”, and “Mixed Intelligent”. Here are reasons behind choosing these words based on my fading memories:

IoT: with all the new, modular, prototype driven IoT kits available in the market right now, it makes it easier to incorporate new functionalities into one’s making. Makers can achieve high-level of wireless connectivity and interactions without in-depth knowledge in electronics.

Holodeck: Inspired by Star Trek and the recent success of Tilt Brush by Google, the idea of virtual makerspace is finally coming to live. With a proper pipeline that connects the digital and physical making, the holodeck could bring the embodied making to the next level.

Zero GUI: This is a follow up to the Holodeck idea, in order to bring the virtual and embodied making experience to the level where the quality of outcome is ensured, we as makers would have to reinvent the way we interact with digital tools, especially in an immersive digital space where the tradition understanding of UX/UI has become obsolete.

Mixed Intelligence: Many of the digital fabrication pipelines today, makers are collaborating with computer algorithms in one way or another. This idea of writing instructions and have the 3rd party (humans or machines) execute or visualize these instructions can be traced back to Sol Lewitt’s drawing series in late 1960s. With all the advancement in Artificial Intelligence, or works done around bio art with living tissues, the idea of collaborating with other types of intelligence in the process of making will be a norm in the future of making.

I also spent 2 hours in Akihabara and it completed the trip for me.

The design of the main lantern of this year’s Taiwan Lantern Festival has gone viral on Taiwanese social media recently. The comments were mostly negative in the beginning due to the over-all provocative aesthetic that is drastically different from the previous main lanterns. It was courageous for the designer to risk for a chance of innovation but it seems like his artist side took over the design process and left the audience stunned with a poorly executed piece that traditionally designed to represent high craftsmanship and aesthetic in Taiwan.

↑ a collage of fan made images involved the Fulu Monkey

However, Fulu Monkey, the name of the main lantern character, has raised from the negative energy and become a star. When I saw it for the first time, I thought, design wise, it might fail as a main lantern piece for the festival, but the character design was interesting. It instantly reminded me Pokemon, and I finally found some time to put together this small Google Carboard experience that let players battle Fulu Monkey from the point of view of Pikachu. This is not a complete game, and it doesn’t have an ending to it. You can zap Fulu Monkey to your heart’s content in this little play experience. So have fun!

Made with Unity 3D and Google Cardboard. Ash 3D model is originally made by MMDSATOSHI for MMD. I ported it into Unity 3D and applied free mecanim animations on it. I built Fulu Monkey myself with simple blendshapes motions. Background music is from Pokemon X/Y. The forest is from the Unity asset store. This is a personal project as a prove of concept, not meant for commercial use. You will need a Google Cardboard to fully enjoy the VR experience.

Zap play footage:

https://www.facebook.com/kanyangli/videos/10153905008883745/

Download the VR Pokemon Battle: Wild Fulu Monkey Android Apk here:

https://goo.gl/ACxZAb

The design of the main lantern of this year’s Taiwan Lantern Festival, Fusho Monkey, has gone viral on Taiwanese social media. The comments are mostly negative due to the weird aesthetic that are drastically different from the previous main lanterns. It was courageous for the designer behind the new lantern to risk for innovation, but it seems like his artist side took over the design process and left the audience stunned with a poorly executed piece that supposed to represent the highest craftsmanship and appreciation for aesthetic in Taiwan.

Fusho Monkey has become the subject of fan arts. When I saw it for the first time, I thought the design failed as a main lantern for the prominent Taiwan Lantern Festival, but the character is interesting. It instantly reminded me of Pokemon, and I finally found some time to put together this small Google Carboard experience that allows players battle Fusho Monkey as Pikachu and Satoshi (Ash). This is not a complete game!! You can zap Fusho Monkey to your heart’s content in this little play.

Made with Unity 3D and Google Cardboard. Ash 3D model is originally made by MMDSATOSHI for MMD and was ported into Unity 3D and applied mecanim animations on it. I built Fusho Monkey myself with simple blendshapes motions. Background music is from Pokemon X/Y. The forest is from the Unity asset store. This is a personal project as a prove of concept, not meant for commercial use. You will need a Google Cardboard to fully enjoy the VR experience.

Download the Android Apk:

https://goo.gl/ACxZAb

VR Pokemon Battle: Wild Fusho Monkey Screenshots:

This vintage eraser figure playset (聖鬥士世紀擂台爭霸戰) brought back a lot of my childhood memories. I used to collect those eraser capsule toys and battle them with my classmates in elementary school. There is a diagram on the right picture above shows how to play the game with robber miniatures. When the play pull the stick, the miniatures also spins. Nintendo Famicom didn’t come out till my 4th grade, so before I went digital I had great fun with these toys. Out of the capsule, Phoenix Ikki is the strongest because of his wide spread tails. However, after people realized the gestures of these eraser toys can be modified with hot water or a lighter, it didn’t matter anymore. Anyway, I’ve been wanted to re-design this playset and print the pieces out with 3D printer.

I try to look for the playset every now and them. I am pretty sure this battle playset is Taiwan only. I have been a faithful Ebay and Japanese Yahoo auction buyer since 2001 and I haven’t seen the Japanese version of this playset. A good friend of mine dug up the above pictures from his archive and gave them to me and that is all I have. During the research, I’ve discovered a few deluxe playsets for Saint Seiya by Bandai and few other DragonBall Z and MEGA Bloks Power Rangers playsets that had adopted the battle mechanism.

Other search terms: 七龍珠 格鬥擂台, 戰鬥擂台